On the first of May, squib-artist and friend Mark Knoop presents new works which each take existing musical material as their starting point. From Adam de la Cour’s Stockhausen imposter, through Beaudoin’s microtiming, to Finnissy’s Brahms-style choral preludes based on Norwegian and American folk songs, each work proposes an intriguing method of negotiating with the past.
Tickets available on the door, or book here.
19:30, Tuesday 1 May 2012
The Forge, 3–7 Delancey St
NW1 7NL London
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